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GUEST,Pseudonymous Review: Walter Pardon; Research (498* d) RE: Review: Walter Pardon; Research 06 Nov 19


Thanks Nick.

Pending the contribution of Jim Carroll, as predicted by another poster above, I have been thinking of some questions it might be interesting to ask him about Pardon and Jim's work with him.

Perhaps this could be a joint effort, with people chipping in ideas for a final version (which would not necessarily be produced by me)?

Just a thought.

I would like to know

1 When, where, how, Jim first met Pardon.

2 How many times Pardon stayed with Jim and Pat in London.

3 How many times Jim or Jim and Pat visited Pardon in Knapton.

4 When was the last time they met Pardon face to face?

5 Was this before or after their move to Ireland (I have no clear idea of the date of this, sorry)

Also Jim, has posted on Mudcat three sets of Q and A with Jim and Pat doing the Q. I'll call these A, B and C. They seem to have come from notes for a lecture given in Ireland. The thread is Folklore Traditional Singers Talking

A posted 18 May 2014 6.20 am and begins JC If you had the choice, Walter

B posted 19 May 6.04 and begins
10 PUTTING EXPRESSION IN. J C   Do you think that when you started singing in the clubs and festivals, do you think you think you are singing any different than you were singing when you were younger?

C posted 19 May 10.14 am and begins:
09 IN FRONT OF AN AUDIENCE
J C When you're singing at a club or a festival, who do you look at, what do you see when you're singing?

W.P   I don't see anything

J C You don't look at the audience?

W P No, that's why I like a microphone: I'd rather stand up in front of a microphone, than anything, 'cause that's something to look at. That's what I like, this sort of thing in front; you can shut the audience out.

I wonder whether we might learn the dates each of these (ie A B and C was recorded, and perhaps where. It would be interesting to know whether there had been any run through with Pardon. It would be interesting to know what if any planning of questions and subject matter there had been in advance.

Nick: thanks for your input. I will listen again. But Spotify has a very full selection. I had been listening to some of the songs Walter had on 78 rpm. I found some strong stylistic similarities, but I cannot remember which singer it was now. More later on this perhaps. The list is on the Mustrad pages. The material on Walter includes various claims on the origins of his style, which is one of the problems I found when trying to make sense of it all. There are two descending swoops. One not just at the end of a verse but more often. Then another higher pitched one that sounds very music hall to me. I'll try to provide an example. I seem to recall discussing Walter's style with somebody who denied that he used any ornamentation, glad to find you see that he does use some, and it was precisely that feature I found on a 78 song. One problem for me is that sometimes he just sounds a little elderly and for some reason that isn't floating my boat - as they say - just now.



Thanks again to all.




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